16 years after leaving the force Anne Marie Duff’s character is pulled back in to a cold case when the bodies of sex workers are found trussed up “like meat”. As if that weren’t enough fresh meat has been found to show that the murderer is still at large. Not only is (s)he still at large the officer ID number she wore then has been found in the hands of the latest victim.

Leaving behind her husband and daughter on their teal-cast island idyll. Claire Church decides to go back and work with former colleagues, and new ones, against her better judgement. 4 bodies, 4 lines of investigation. The killer is still out there, goading Claire to capture him.

Scared of seeing the bodies, Claire is told in no uncertain terms that it is not the dead she should be scared of. She is sent with an Oxbridge fast track officer for protection to talk to the family of Mimi, a victim. He is not up to the job.

A stuffy hotel room only serves to remind Claire about how much she has left behind. A phone call from her husband makes it clear to us that Claire has been on medication to control mood for years, despite her husband thinking she had beaten her demons with running and solitude.

The horror of death in the morgue is mostly conveyed by extreme close-ups of Claire’s body parts juxtaposed with theirs. Only Claire spots differences between the latest victim and the cases years ago.

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